Verdi Requiem – October 2010 by Harry Wiggett

VERDI REQIEM…..October 2010

I am perpetually fascinated and amazed at the experience of life being like a jig-saw puzzle with pieces being fitted into place each day, adding to the wonder and colourfulness of the whole picture as it builds with purposefulness towards an eventual completion.

The Cape Town Symphony and Philharmonia Choirs joint venture in the performances of the Verdi Reqiem proved to add specially lovely pieces to mine and Jean”s joint and individual puzzles:

For over 50 years now Jean and I have derived immense pleasure from attending orchestral rehearsals and concerts in the City Hall. And so it was with a sense of deep gratitude that we were able to sing together for the first time on the City Hall stage with the orchestra under Maestro Victor Yampolsky. Continue reading

Verdi Requiem- October 2010 by Ugo Rivera

VERDI MESSA DA REQUIEM

Twice in the last few years our choir has sung major requiems very soon after the deaths of significant persons in my life.  We sang the Mozart requiem under the baton of Richard Cock just a few weeks after the death of my father and now we sang Verdi’s one quite soon after my mother-in- law’s death.  So I started thinking about the concept of requiems in general. Continue reading

Verdi Requiem, a choir member’s perspective by Nadia Essop

VERDI REQUIEM – SO THIS IS HOW IT HAPPENED!

By Nadia Essop (October 27, 2010)

 It’s Wednesday evening. After 3 hours of rehearsal with the orchestra, soloists, and combined choirs, my spirits are in need of a lift. I cannot move beyond the question: What am I doing here?

 The Cape Town City Hall’s labyrinth of passages and spaces have a faded aura. The resident phantoms could add cachet to the scenario, but other than blocking the toilets, they too seem ready to abandon the cause. Perhaps Le Fantôme senses the prevailing mindset seeping through the cracks: apathy, and the celebration of mediocrity.

I am aware of the musical pecking order I have volunteered myself into. First there is the conductor, in this case visiting Muscovite, maestro Victor Yampolsky. The conductor, also known as the musical director, is permitted (and forgiven) everything! He is forgiven for wearing red sneakers with pink socks (wow!), he is allowed to lose his temper, or throw a tantrum if he wants to. It is best to stay on the good side of the conductor. Laugh at his jokes – it’s the right thing to do. More importantly, do exactly as he instructs. Capiche? Continue reading

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